Behringer Ultimate 7-Band Wide-Frequency BEQ700 Bass Graphic Equializer

The Behringer BEQ700 is a 7-band graphic equalizer pedal designed specifically for bass guitar. It covers a frequency range from 50 Hz to 10 kHz with ±15 dB of boost or cut available at each band — enough range to dramatically reshape tone, surgically remove problem frequencies, or compensate for the acoustic characteristics of a room or venue. A graphic EQ pedal gives the bass player hands-on, visual control of their frequency response in a format that works on a pedalboard rather than requiring access to an amplifier's rear panel or a rack-mounted EQ unit. For players who gig across different rooms, different backline setups, or who want tone shaping control that travels with them rather than staying with a fixed amp, the BEQ700 is a practical and direct solution.

7-Band Graphic EQ — What Each Band Controls

A graphic equalizer divides the audible frequency spectrum into a set of fixed frequency bands, each controlled by its own slider. The BEQ700's 7 bands span from 50 Hz to 10 kHz — a range chosen specifically for bass guitar's useful frequency content:

• 50 Hz region: The fundamental low end — the sub-bass weight and thump that gives bass its physical presence. Boosting here adds depth and floor-shaking low end; cutting it reduces boominess in rooms where the low end builds up excessively.
• 120–400 Hz region: The body and warmth of the bass tone. This range contains most of the fundamental notes across the bass guitar's range. Boost here for fullness; cut to reduce muddiness or clean up a mix where bass and kick drum are competing.
• 500–800 Hz region: The lower midrange — where bass punch and presence live. This is the range that determines whether the bass cuts through a mix or sits underneath it. Boosting adds attack and definition; cutting produces a more scooped, smooth character.
• 4.5–10 kHz region: The upper range — string noise, fret click, pick attack and harmonics. Boosting here adds brightness, bite and articulation; cutting smooths out an aggressive-sounding instrument or tames a harsh room.

The ±15 dB range at each band is substantial — enough for corrective work (removing a problematic room resonance at a specific frequency) and creative shaping (building a heavily scooped slap tone or a mid-forward fingerstyle sound) from the same unit.

Why a Bass-Specific EQ Matters

Guitar EQ pedals and bass EQ pedals cover different frequency ranges. A guitar EQ optimised for 6-string frequency content — which typically starts rolling off below 100 Hz and focusses its bands in the midrange and upper frequencies — does not serve a bass player well. The lowest audible string on a standard-tuned 4-string bass produces a fundamental of approximately 41 Hz; on a 5-string with a low B string that drops to approximately 31 Hz. The BEQ700's lowest band at 50 Hz sits in the heart of the bass guitar's working frequency range — it is present and relevant for bass in a way that a guitar EQ's lowest band often is not. The full span from 50 Hz to 10 kHz gives the bass player access to both the deep subterranean low end of the instrument and the high-frequency articulation details, in one unit designed for the purpose.

Feedback Elimination — Using EQ to Control Problem Frequencies

Feedback on bass guitar occurs when the amplified signal is picked up by the instrument and re-amplified in a loop, typically at a specific resonant frequency determined by the room, the stage, the amp placement and the instrument. The most effective tool for eliminating feedback is identifying the frequency at which it occurs and cutting that band. A graphic EQ with seven bands and ±15 dB range gives the bassist the ability to locate and cut a feedback frequency surgically — reducing or eliminating the problem without broadly thinning the tone the way a simple bass or treble cut would. The BEQ700's visual slider layout makes this intuitive: as soon as a problem frequency is identified, the corresponding fader is pulled down.

Pedalboard Integration — A Practical Tool That Travels With You

The BEQ700 is built in Behringer's compact stompbox format — it sits on a standard pedalboard, connects with standard patch cables and operates from a standard 9-volt power supply or battery. Its footswitch allows the EQ settings to be bypassed entirely when not needed, making it usable as a tone-change switch (engage it for a mid-boosted solo tone, disengage it for the standard clean bass tone) as well as a permanent signal-shaping tool. For players who gig frequently or move between different venues and backline setups, having tone control that lives on your pedalboard rather than an amp rack means your baseline sound travels with you.

Who Is the BEQ700 For?

• Bass players who gig regularly across different venues and need consistent tone control regardless of backline or room acoustics
• Players who use rental backline or shared amplifiers and want their own EQ in the signal chain
• Players experiencing feedback issues who need a targeted frequency-specific solution rather than broad EQ adjustment
• Players who want to build a scooped slap bass tone, a mid-forward fingerstyle sound or other specific frequency-shaped voices without adjusting the amplifier
• Bassists who want to compensate for the acoustic characteristics of a specific instrument — a bass that is too bright, too boomy or lacks midrange presence in a live mix

Specifications

Expert Advice at Angkor Music

At Angkor Music Melbourne we stock bass effects, bass amplifiers and bass accessories. If you want to discuss how to position an EQ pedal in your signal chain, which bands to target for common bass tone problems, or how the BEQ700 compares to other EQ options in our range, our team can help.

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Frequently Asked Questions

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