sE Electronics Voodoo VR1 Passive Full-Frequency Ribbon Microphone + Mount and Case

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Original price was: $1,029.00.Current price is: $879.00.

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Free pickup from our Melbourne Store at 4 Drake Boulevard, Altona VIC 3018. Your order will typically be ready by the next business day. We recommend calling us on (03) 8360 7799 beforehand to check it's ready for collection.

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sE Electronics Voodoo VR1 Passive Full-Frequency Ribbon Microphone

Step into a revolutionary era of ribbon transducer performance with a masterpiece of modern acoustic engineering. The sE Electronics Voodoo VR1 is an extraordinary passive ribbon microphone that shatters the traditional frequency limitations of ribbon designs. Until the release of sE's flagship Voodoo series, recording engineers had to accept a dark, heavily rolled-off top end from ribbon capsules. The VR1 changes the landscape completely, delivering an extended, beautifully open, and ultra-natural high-frequency signature that allows it to capture acoustic details with the air of a premium studio condenser while preserving the timeless warmth of a classic ribbon.

Angkor Music Technical Evaluation: Zou's Patent-Pending Mechanical HF Diffusor

The stunning acoustic breakthrough of the Voodoo VR1 lies in a brilliant mechanical device (patent pending) developed by sE Electronics CEO, Siwei Zou. While sE's flagship Rupert Neve collaboration (the RNR1) achieves full-frequency handling via active electronic circuits and custom transformers, the VR1 achieves an impressive 20 Hz to 18 kHz response through entirely passive structural physics. By treating the physical boundary conditions immediately surrounding the ultra-thin 2-micron aluminum ribbon, this custom diffuser reveals brilliant high-frequency content that is usually lost. Operating on a pressure gradient principle with a true Figure-8 polar pattern, the capsule delivers pristine transient response and phase-perfect symmetry across the front and rear recording planes.

E-E-A-T Studio Integration: Dynamic High-SPL Tracking & Preamp Gain Requirements

At Angkor Music, our pro-audio specialists highly recommend the VR1 for tracking acoustic string sections, grand pianos, drum overheads, and high-output guitar stacks. Thanks to its robust architecture, the VR1 handles a high 135dB Max SPL, allowing you to close-mic roaring guitar cabs without risking structural damage. Passive Engineering Requirement: Because the VR1 is the passive sibling to the active VR2, it features a lower sensitivity rating of 1.6mV/Pa and an impedance profile of ≤300 Ohms. To extract its stunning, low-noise potential, it must be paired with a clean outboard preamp offering high gain overhead, or reinforced with an in-line gain booster. Voltage Advisory: Ensure +48V phantom power is deactivated before plugging in to avoid any risk of capsule damage via faulty lines.

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Technical Specifications

  • Brand: sE Electronics
  • Model: Voodoo VR1
  • Acoustic Operating Principle: Pressure Gradient
  • Ribbon Element Architecture: 2-Micron Pure Aluminum Ribbon
  • Directional Polar Pattern: Figure-8 (Bi-Directional Front/Rear Symmetry)
  • Frequency Response Range: Extended 20 Hz - 18,000 Hz
  • Acoustic Sensitivity: 1.6 mV/Pa (-56 dB ± 1.5dB)
  • Equivalent Self-Noise Floor: 17 dB (A-Weighted)
  • Maximum Sound Pressure Level (SPL): 135 dB (For 0.5% THD @ 1000Hz)
  • Electrical Output Impedance: ≤ 300 Ohms
  • Connectivity Interface: Premium 3-Pin Male XLR Balanced Terminal
  • Chassis Styling: Slim-Profile Industrial Design with Seared Aesthetics

In the Box Product Contents

  • Core Transducer: 1 x sE Electronics Voodoo VR1 Passive Ribbon Microphone
  • Hardware Mount: 1 x Custom Form-Fitting Microphone Stand Clip
  • Documentation: 1 x Official sE Electronics User Blueprint & Ribbon Care Manual

Key Product Features

  • Revolutionary Passive Full-Range Sound: Patent-pending mechanical internal diffusers extend the pickup spectrum to 18 kHz, capturing true high-end "air" without active electronics.
  • Ultra-Thin 2-Micron Ribbon: Offers exceptionally fast transient response, smoothing out harsh, brittle digital spikes while retaining natural micro-dynamics.
  • High-SPL Guitar and Brass Tracking: Confidently handles up to 135dB SPL, making it safe to place directly in front of driven tube amplifiers and punchy brass sections.
  • Flawless Figure-8 Acoustic Rejection: Picks up direct sound from the front and authentic space reflections from the back, while completely rejecting bleed from the 90-degree side zones.
  • Searing Industrial Aesthetics: Combines a compact, striking, ultra-slim visual profile with tour-grade metal housing durability that stands out in any studio setup.

Frequently Asked Questions

What is the physical difference between this passive VR1 and the active sE Voodoo VR2 microphone?
The VR1 is completely passive, meaning its signal wire paths run unassisted by internal electronic amplifiers. The active VR2 adds internal phantom-powered buffering circuitry to raise its sensitivity level closer to a condenser microphone. The passive VR1 provides a slightly more organic, pure ribbon transient translation, but requires a high-quality, high-gain external mic preamplifier to perform optimally on quiet sound sources.

Is it dangerous if +48V phantom power is accidentally sent to my sE Voodoo VR1?
If your recording environment uses perfectly wired, balanced XLR cables running directly into a mixer or preamp channel, engaging +48V phantom power will not harm the passive VR1. However, if you are plugging the microphone through an unstable TRS patch bay, using damaged cables, or hot-swapping lines while phantom power is live, a sudden voltage spike can jump across the ribbon element and warp it. We strongly recommend making sure phantom power is turned OFF before connecting the microphone.

Why is a Figure-8 pattern beneficial when tracking an acoustic guitar and vocalist simultaneously?
Because a Figure-8 microphone features absolute acoustic rejection along its side axes, you can use two VR1 microphones to isolate a singer who is playing guitar at the same time. Angle the dead side zone of the vocal mic down toward the guitar body, and angle the dead side zone of the guitar mic up toward the singer's mouth. This gives you distinct separation between the vocal and instrument channels during the mix down.

Additional information

Weight 1.02 kg
Dimensions 35 × 13 × 10 cm
Type

Dynamic Microphone

connectivity

wired

Connector(s)

XLR 3 Pin

Insturment

Euphonium